Reviews
Adina - The Elixir of Love
English Touring Opera
September - November 2025
Natasha Page's Adina has an impressive range of vocal colours... The two are a winning pair of lovers...
The Guardian
Natasha Page made a charming Adina... combining facility with grace...
Planet Hugill
She - singing with bright vibrancy, a touch of steel, and some daring pianissimi...
The Stage
Among the cast, first honours must go to Natasha Page, singing Adina. Her soprano has a decent trill, a clean top and some good pianissimi.
backtrack
Natasha Page brings a freshness to the role of Adina... We are treated to her lightly-decorated, soaring soprano, and she certainly knows how to hold a note for dramatic effect.
markaspen.com
Powerful vocals that stop you in your tracks.
weekendnotes
Megacle - L'Olimpiade
Vache Baroque
September 2024
...Megacle has pathos and flair sung by Natasha Page. [This is an] excellent fresh relatively new [voice] to the opera world... Page demonstrates great skill in coloratura and style with aria after aria oozing emotion.
operascene.co.uk
Singing was... confidently delivered by the excellent young cast... Natasha Page in particular [was] impressive.
OperaNow
Pamina - The Magic Flute
Wild Arts
May - September 2024
Soprano Natasha Page has a lovely, pure voice and was fully capable of projecting Pamina’s searing pain in the second act; her statement of ‘Tamino mine’ was truly touching.
seenandheard-international.com
Tamino (Richard Dowling)... and Natasha Page (playing Pamina) made a very convincing and likeable pair. Her quiet notes (especially) took the breath away with an ethereal beauty! The aria “Oh, I feel it, it is gone” was (for me) the emotional high of the entire piece...
fairypoweredproductions.com
Natasha Page’s Pamina demonstrates superb control over her vocal dynamics. The aria... is as heart-breaking here as any I’ve heard.
bumonaseat.wordpress.com
As the abused Pamina, soprano Natasha Page expresses the innocence and vulnerability of the young woman... She has a very tender aria when Tamino cannot speak to her... Page brings out its pathos with heart-rending sincerity.
markaspen.com
Richard Dowling as Tamino and Natasha Page as Pamina are perfect in both actions and voice, and have a lovely chemistry which works so well.
fashion-mommy.com
The Messiah
Wild Arts
December 2024
"Soprano Natasha Page really came into her own with the soaring sweetness of “I Know That My Redeemer Liveth,” bringing a full-blooded sense of cathartic relief to her message."
The Arts Desk
“How beautiful are the feet of them that preach the gospel of peace” is sung with a wonderfully delicate touch by lyrical soprano Natasha Page... Her intense interpretation of that beautiful air, “I know that my redeemer liveth” has a remarkable touch. She holds the final note exquisitely extended and without faltering, symbolic of the evermore that is eluded to in this passage." markaspen.com
Fiordiligi - Cosi fan tutte
Celebrate Voice Festival
October 2023
It would be hard to imagine a better line-up than this, led by Natasha Page’s conflicted Fiordiligi... The famous arias are gloriously sung with energy and deep emotion – notably Fiordiligi’s Come scoglio...
ftr.co.uk
Rita - Rita
IfOpera
August 2022
Natasha Page is equal to the plucky role of Rita, particularly in her first aria where she asserts herself with steely vigour.
classicalsource.com
Rita, adroitly sung and acted by Natasha Page...
operascene.co.uk
Separation and Reconciliation:
Opera Scenes
Royal College of Music Opera Studio
December 2020
As Monteverdi’s Poppea and Nerone, Natasha Page and Maria Hegele, respectively, established a dramatic and musical tension which was sustained with thrilling effect... Page’s lustrous soprano was met with firm, bright challenge from Hegele’s Nerone.
operatoday.com
Concert Reviews
A consistent characteristic of PCO concerts over the years has been the high quality of soloists and talented soprano Natasha Page was no exception. With a glorious rich tone, soaring high notes and engaging manner, she held the audience in thrall from her first note. Natasha covered a wide range of styles with her songs, all of which were made to look effortless by a singer evidently at the top of her game. A lively, humorous performance of The Laughing Song from Die Fledermaus contrasted with an impassioned rendition of Rusalka’s Song to the Moon and the Spanish-flavoured The Girl from Cadiz, Natasha’s expressive face and engagement with the audience bringing the words to life.
lightmusicsociety.com